We are seeking a Senior Video Editor with 3+ years of experience to lead the production of high-impact, 30-second automotive commercials. This role is designed for a creative professional who excels in a high-output, front-loaded environment, taking raw assets and transforming them into sleek, broadcast-ready advertisements. You will act as a primary guardian of our clients' visual brands, ensuring every spot features cinematic pacing and sophisticated design. This position requires a self-starter who can manage intense production sprints during the first two weeks of each month while maintaining meticulous attention to detail and creative integrity. PLEASE PROVIDE US A LINK TO YOUR PORTFOLIO.
You will manage the end-to-end post-production of automotive spots, transitioning seamlessly between polished broadcast commercials and high-retention UGC-style content. Your workflow will involve transforming S-Log3 footage into vibrant, cinematic assets and building complex motion graphics from static images. Beyond the visual edit, you are responsible for the total package—ensuring crystal-clear audio, professional color grading, and precise implementation of feedback to ensure no errors are repeated across monthly cycles.
Experience: 3+ years of professional video editing, preferably in the automotive or commercial sector.
Software Mastery: Expert proficiency in Adobe Premiere Pro and After Effects is non-negotiable.
Technical Grading: Proven ability to manually grade S-Log3 footage for accurate car colors and skin tones.
Design Sense: A sophisticated eye for composition, pacing, and modern motion design.
Adobe Creative Suite: Familiarity with Photoshop and Illustrator for asset preparation and static design.
Dependability: Ability to thrive under a front-loaded monthly schedule and hit every deadline without fail.
Quality Control: High attention to detail with a commitment to eliminating repetitive technical or creative mistakes.
Communication: Strong English proficiency for script interpretation and team collaboration.
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